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When the War of Independence was over, the printing industry would establish itself in the northern and eastern states, where it had been previously attempted but unsuccessfully, due to Britain’s ban on sharing textile machinery and know-how with the Colonies.
Our import of cotton fabric, plain and printed, was dramatically reduced, as they knew it would be when we could work our own raw cotton into thread and cloth.
Dye can sit on top and look fine at first, but easily washes out or fades to light in no time at all.
This is why the first cotton prints from India were so enormously popular.
Here are a few you might have in your chintz cupboard.
You can always find birds chintzes in decorator-weight fabric like this one, which has a great bird for Broderie Perse.
In the pioneer era quilting became very popular because of the rise of the textile industry and the availability of inexpensive fabrics.
Often the first practice piece would be a small quilt for their doll.
This can range from finishes to color to design, all which breathe life and vitality into cloth.
This month’s guest columnist is well-known quilt historian Kimberly Wulfert who takes us back into the 18th and 19th centuries for a look at the cotton dyeing process and its evolution from natural to synthetic dyes.
“Animalizing,” as it was called, meant adding one or more of the following: urine, blood, milk, dung, or egg albumen.
Turkey Red, (pic.#5 & #12) a highly valued rich, deep, brilliant red dye for yarns and fabric, was known to use blood, dung, and urine in the dyeing process, and it was extremely colorfast.